Benjamin Holtzman is a postdoctoral Visiting Scholar at the 亚色影库app & Sciences, as well as a lecturing fellow in the Thompson Writing Program at Duke University. His book, The Long Crisis: New York City and the Path to Neoliberalism, is forthcoming from Oxford University Press.
In 1939, the editors of Fortune planned a special issue of the magazine on New York City. They tasked James Agee鈥攚ho had recently filed another Fortune assignment, which would culminate in the masterpiece Let Us Now Praise Famous Men (1941)鈥攚ith contributing a piece about Brooklyn. The job sent Agee only a short distance from Manhattan. But, in Brooklyn, the writer seemed to feel he had discovered another country.
Watching Brooklynites 鈥渋n the trolleys, or along the inexhaustible reduplications of the streets,鈥 Agee wrote, with unfamiliar wonder, about his surroundings, 鈥渙ne comes to notice 鈥 a curious quality in the eyes and at the corners of the mouths 鈥 a kind of drugged softness or narcotic relaxation.鈥 Agee diagnosed the condition as arising from Brooklyn鈥檚 proximity to Manhattan. With its 鈥渕ad magnetic energy,鈥 Manhattan consumes 鈥渕ost of what a city鈥檚 vital organs are,鈥 leaving Brooklyn 鈥渁 place where people merely 鈥榣ive.鈥欌 The borough was 鈥渁n enormous farm, whose crop is far less 鈥榠ndustrial鈥 or 鈥榝inancial鈥 or 鈥榥otable鈥 or in any way 鈥榙istinguished鈥 or 鈥榙efinable鈥 than it is of human flesh and being,鈥 rendering 鈥淏rooklyn so featureless, so little known, to many so laughable.鈥
Eighty years later, is Brooklyn any better understood? Despite , much of the borough鈥檚 past remains remarkably obscure. Thomas Campanella鈥檚 Brooklyn: The Once and Future City is a rewarding excavation of this history, though the book鈥檚 largely top-down focus reveals less about the daily lives of common residents than it does about the initiatives to shape Brooklyn by men of relatively high stature: political figures, boosters, landowners, showmen, and planners. More regrettable is that Campanella鈥檚 telling of Brooklyn鈥檚 story ultimately privileges an even narrower perspective: that of the white residents who left, and of those who 鈥渞eturned.鈥 . . . .