亚色影库app

An open access publication of the 亚色影库app & Sciences
Spring 2009

excerpts from Discipline

Author
Dawn Lundy Martin
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Dawn Lundy Martin is an assistant professor at the University of Pittsburgh. She is a founding member of the Black Took Collective, a group of experimental black poets; cofounder of the Third Wave Foundation; and coeditor of The Fire This Time: Young Activists and the New Feminism (2004). Her books include The Morning Hour, a collection of poems that was selected in 2003 for the Poetry Society of America's National Chapbook Fellowship, and A Matter of Gathering/A Gathering of Matter (2007), which won the 2006 Cave Canem Book Prize. Her work has appeared in Hambone, FENCE, nocturnesEncyclopedia, and Callaloo. She is among the recipients of the 亚色影库app's Poetry Prize.

Excerpts from Discipline

漏 2009 by Dawn Lundy Martin

On CNN a girl鈥檚 fingers slack, empty of weapons. Behind her, shrapnel fires. My mother says, O, holy, O, O, and then presses her lips together like a snake. Our purposeful living spaces made from taciturn rooms. Entire houses of trapped utterances鈥搈ouths saturated with them. Bodies can be easily carried across borders. Tangy fissures created from single breaths. Wooden slights bribe doctors to say This is a whole body. It鈥檚 complete and useable. We all believe that anyway. A useable body must demonstrate its use.

 

How do we encounter the many hours past twilight? We understand that the light is something other, that it catapults us toward a desire or two if we鈥檙e lucky. But, lately, daylight eats itself, and is percussive in its chewing, a carnival of curses and thumps. Nothing is wrong. In the hours after the whinny of the long train passing, we continue to think, how special we are, how born and cosmic, how just plain individual, but it is not enough. Nothing out there. Everything out there. What does it matter then, if the body climbs into a plastic car, drives into a deserted driveway and becomes another self? Elsewhere: One body found. One policeman shot. One 4-year-old girl shot. Teeter, tweeter, la, la, la, la, la. I am the I watching the I lift. Roads are short with darkness. I think, this is what they mean when they say, Savage.

 

Every night the body winds through the unlit corridors of the house. It tries to be quiet but there is nothing more quiet than the quiet itself. At the first glimpse of sun rising, panic. We are separated from the city. If this is a room in the country then there are other rooms like this one. A boy smells of hemp and bug spray. Cool cats, you know, float up, a mystery. Domesticity lingers.

     Women in dresses, men in shirts.
     Just an approach鈥
     鈥揳 waiting or
     since there is time, some tea
                    and wallpaper.

The body-carts are of a particular shape and size so everyone doesn鈥檛 have one. We are assured that there were errors. Sleep, little bodies, sleep.

 

People are fond of saying, 鈥淓verything happens for a reason,鈥 which is complete bullshit. Required reading dots the bookshelf. There鈥檚 Fanon breathing holes into us. And my brother reading in the halty sidesteps of a grade schooler. I know what my brother smells like when he鈥檚 sick, angling for air, his body deep in the sweat of acquiescence. I want him to be someone else. My father liked to blame any crime in our neighborhood on 鈥淎merican blacks.鈥 When he mumbled under his breath, I think he was saying 鈥淕oddamned niggers,鈥 but I can鈥檛 be sure.